Home2021-10-08T14:13:48-04:00

Steven Heller: Bascove’s Shifting Perspective

I’ve been enticed and excited by Bascove’s imagery ever since I first laid eyes on her signature book covers and jackets designed for publishers throughout the 1970s and 80s. Her emotionally-charged woodcuts, pen and brush drawings and hand-crafted gothic lettering grabbed my senses and intensified my interest. The books with her peerless illuminations revealing the essence of an author’s work were often put face-out on the shelves of my favorite bookselling haunts.

February 17th, 2022|Categories: News|

Imprinted: Illustrating Race

Opening June 11, 2022, Imprinted: Illustrating Raceexamines the role of published images in shaping attitudes toward race and culture. More than 100 works of art and artifacts of widely circulated illustrated imagery will be on view, produced from the late eighteenth century to today, which have an impact on public perception about race in the United States. The exhibition will explore stereotypical racial representations that have been imprinted upon us through the mass publication of images. It culminates with the creative accomplishments of contemporary artists and publishers who have shifted the cultural narrative through the creation of positive, inclusive imagery emphasizing full agency and equity for all.

February 15th, 2022|Categories: News|

The Red Rose Girls: An alliance for artistic success

During an era when women were expected to get married, raise children, and manage a household, Elizabeth Shippen Green (1871-1954), Jessie Wilcox Smith (1863-1935), and Violet Oakley (1874-1961) chose to pursue careers in the arts. In 1897, these three women enrolled in famed illustrator Howard Pyle’s (1853-1911) class at the School of Illustration at the Drexel Institute, Philadelphia where they formed a bond. The women rook residence at the Red Rose Inn; hence their moniker.

March 8th, 2021|Categories: Essays on Illustration|

Santa in Illustration

Back in the 1800’s, the image of Santa Claus was not portrayed as the round, jolly, bearded man that we know today. Throughout the latter half of the 19th century, Santa morphed through a variety of different looks. He was initially depicted as a thin elf-like man dressed in green, who was focused on protecting children and sailors. At other times, he appeared skinny and gaunt, with a scraggly beard and, while he may have worn a red coat, he sometimes wore a different colored hat, trimmed in black.

December 21st, 2020|Categories: Essays on Illustration|

Essays on Illustration

This section is devoted to scholarly essays on illustration - including articles on individual illustrators, the history of illustration, and illustration collections and important movements in history.
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Rockwell Center Fellowships

The Rockwell Center Fellowship is open to senior scholars and museum professionals choosing to pursue research or projects in or relating to the subject field of American illustration art and visual studies.
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Illustration Partnership Network

The Rockwell Center is a network of prominent museums, distinguished collections, institutional partners, and scholarly resources, whose common interest is American illustration art and visual studies.
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Norman Rockwell Museum

 

Hours

Norman Rockwell Museum is Open 7 days a week year-round

May – October and holidays:

open daily: 10 a.m. – 5 p.m.
Thursdays: 10 a.m. - 7 p.m. (July/August 2015)
Rockwell’s Studio open May through October.

November – April: open daily:

Weekdays: 10 a.m. to 4 p.m.
Weekends and holidays: 10 a.m. to 5 p.m.

Holiday Closings:

The Museum is Closed Thanksgiving Day, Christmas Day and New Year’s Day

 

 

 

Admission

Members: FREE
Adults: $18.00
Seniors (65+): $17.00
College students with ID: $10.00
Children/teens 6 — 18: $6.00
Children 5 and under: FREE

Official Museum Website

www.nrm.org

 

 

 

Directions

Norman Rockwell Museum
9 Route 183
Stockbridge, MA 01262

413-298-4100 x 221

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